All oil paint is slow drying and has particles of pigment mainly linseed oil incorporated into it. The thickness of the paints can be changed by adding turpentine as well as white spirit also known as paint thinner. When seeking an oil portrait artist in NYC clients can also add varnish so that the end results show a very lustrous finish.
Paintings that are done with oil have been around since the twelfth century in Europe and they were done for decoration purposes. It only became an artist's method around the fifteenth century. It has of late been used in paint on glass animation; this is a way of making animation films by using the slow drying paint on large sheets of glass. A Russian by the name of Aleksandr Petrov has won many awards with this method and has used them in seven different films.
Many say that starting with the hair is the easiest. For the darker tones there is a combination of sienna, cadmium orange, crimson and viridian. For the lighter areas white, yellow ochre, viridian as well as cadium red and permanent green is used. In order to eliminate a yellow or blue tint to blond hair a purple-ish tint is mixed up.
Nanette Flehr has over twenty years experience in creating portraits and many hang in public collections all around the world. One of her most famous is the "Portrait of my Grandfather" and this was placed in the top ten out of over two thousand entries sponsored by the Artist's Magazine. She received the Martin F. Weber award at the Catherine Lorillard Wolfe Art Club and a year later her portrait of Phyllis was exhibited.
In 1987 Nanette graduated and went on to get her Bachelor of Fine Arts degree from The School of Visual Arts. For her exceptional achievement she received the Rhodes Family Award. While there she met John F. Murray who later became her mentor. He taught her how to paint, refine her picture making and drawing skills and under his guidance she painted replicas of Van Dyke, Rembrandt as well as Velazquez and LeBrun.
The advantage of having slow drying paints is that the artist has a chance to make corrections or changes. The disadvantage is that it can take as long as a few months or even years to be completed. They do however have the ability to blend very well with other colors making details such as shadows and light possible. Many artists take advantage of using different thinning agents so that the portrait can be done in layers.
Her workshops in Portrait Drawing cover the heart of capturing the physical resemblance as well as the personality and inner essence of the model. The most important technique that is taught in this class is the ability to develop the appearance as well as the gesticulation and the atmosphere of the model. Demonstrations always take place and she will offer individual critiques.
All portrait paintings can be done by full length, half length as well as bust or just the head. There is one that the face of the model is not shown at all. This was done by Andrew Wyeth in 1948 of a crippled girl who had turned her back on the artist. Others are done with a full face view or three quarter view depending on the artist's version.
Paintings that are done with oil have been around since the twelfth century in Europe and they were done for decoration purposes. It only became an artist's method around the fifteenth century. It has of late been used in paint on glass animation; this is a way of making animation films by using the slow drying paint on large sheets of glass. A Russian by the name of Aleksandr Petrov has won many awards with this method and has used them in seven different films.
Many say that starting with the hair is the easiest. For the darker tones there is a combination of sienna, cadmium orange, crimson and viridian. For the lighter areas white, yellow ochre, viridian as well as cadium red and permanent green is used. In order to eliminate a yellow or blue tint to blond hair a purple-ish tint is mixed up.
Nanette Flehr has over twenty years experience in creating portraits and many hang in public collections all around the world. One of her most famous is the "Portrait of my Grandfather" and this was placed in the top ten out of over two thousand entries sponsored by the Artist's Magazine. She received the Martin F. Weber award at the Catherine Lorillard Wolfe Art Club and a year later her portrait of Phyllis was exhibited.
In 1987 Nanette graduated and went on to get her Bachelor of Fine Arts degree from The School of Visual Arts. For her exceptional achievement she received the Rhodes Family Award. While there she met John F. Murray who later became her mentor. He taught her how to paint, refine her picture making and drawing skills and under his guidance she painted replicas of Van Dyke, Rembrandt as well as Velazquez and LeBrun.
The advantage of having slow drying paints is that the artist has a chance to make corrections or changes. The disadvantage is that it can take as long as a few months or even years to be completed. They do however have the ability to blend very well with other colors making details such as shadows and light possible. Many artists take advantage of using different thinning agents so that the portrait can be done in layers.
Her workshops in Portrait Drawing cover the heart of capturing the physical resemblance as well as the personality and inner essence of the model. The most important technique that is taught in this class is the ability to develop the appearance as well as the gesticulation and the atmosphere of the model. Demonstrations always take place and she will offer individual critiques.
All portrait paintings can be done by full length, half length as well as bust or just the head. There is one that the face of the model is not shown at all. This was done by Andrew Wyeth in 1948 of a crippled girl who had turned her back on the artist. Others are done with a full face view or three quarter view depending on the artist's version.
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